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I took the featured picture throughout my hike alongside the Panorama Path in Kodachrome State Park in Utah. I featured the situation in my earlier submit a couple of weeks in the past: Secret Passage in Kodachrome
It was my very first exploration of the Kodachrome space and Panorama Path particularly. I didn’t know what to anticipate, however I knew it was an extended (10miles/16km) huge open path in 30C (90F) diploma climate at an elevation of 2000m (6500feet) above sea degree.
I made a decision to hike as mild as doable. I took with me Fujifilm XT2 digicam and just one lens Fujinon 18-135mm. And I even left my tripod at a campsite as a result of I used to be not planning to hike till sundown.
The hike was exhausting due to the warmth, however I had a good time, managing to seize some fascinating pictures.
However after I reached the Secret Passage space of the hike, I noticed that I had a problem to resolve.
The Secret Passage is a tiny space surrounded by tall rock formations, and I wanted an extremely huge angle lens to seize something significant.
The answer was to seize a number of photographs and merge them into huge angle panorama in Lightroom or Photoshop throughout post-processing.
That was exactly what I did, and it labored flawlessly.
Capturing
The rock formation I wished to seize had minimal house in entrance of it. Once I was leaning towards the other wall, the shot’s topic was so shut I virtually might attain it with my hand.
My unique plan was to take 3, a most of 4 photographs, to create a large angle panorama. After a couple of makes an attempt, I noticed that I want extra photographs to cowl a whole rock formation.
In the long run, it took me six vertical photographs in complete to gather data from the complete scene.
I used to be taking pictures handheld, attempting to be as nonetheless as doable throughout the taking pictures to attenuate the digicam motion. On the identical time, even when I had a tripod with me, I might not have the ability to use it due to tight house.
Earlier than taking the sequence of photographs, I made positive to lock publicity (AE-L) and autofocus (AF-L).
Modifying & Processing
It was a multi shot panorama processing workflow.
I began processing by choosing the complete sequence of 6 photographs and sending them to the Photograph Merge module of Lightroom, selecting the Panorama choice.
Under is the screenshot of the Lightroom Panorama Merge settings:
Lightroom (80%)
Subsequent, I take advantage of the Crop Overlay software to adapt the picture to the 16×9 facet ration.
To finish the Lightroom modifying, I
The Lightroom Preset Modifying Method: Napa (2, 9, 13, 20, 32)
Photoshop (20%)
In Photoshop, I used the Spot Elimination software to scrub up the picture.
And at last, I used the Topz DeNoise plugin to cut back digital noise. That was the primary time I used the most recent model of DeNoise AI after upgrading from DeNoise 6. The latest model works otherwise in comparison with the outdated model. It doesn’t solely cut back the noise however sharpens the picture as effectively.
After I’m comfy with the brand new model, I’ll replace my assessment of Topaz plugins.
Earlier than & After Transformation
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